/ SOUND
You treat sound as spatial force. Listening becomes compositional discipline. You record, layer, edit, cut, distort. You work with rhythm, silence, ambience, voice. Structure comes first, software second.
/ FOR WHOM
For you if you want to enter sound practice without turning it into technical obsession. You focus on clarity, not complexity.
/ FORMAT
Field recording sessions, editing labs, listening rounds. Sound works or installations presented in the final exhibition.