You work with painting and drawing as a serious visual discipline. Not hobby, not exercise — practice. You build images that hold weight. You test composition, color logic, scale, and serial thinking. You push beyond decorative solutions and start making decisions you can defend. You explore observation and abstraction without hierarchy. You develop visual coherence across multiple works. The alpine environment can become subject, structure, friction, or resistance — but it will not stay neutral. You are here to build images that stay.
This is for you if you want to actually commit to painting or drawing. If you are starting, you get structure and pressure. If you are restarting, you get focus and confrontation. If you already work, you sharpen your decisions and eliminate hesitation.
Daily studio work. Continuous critique. Direct feedback. You produce a concentrated body of work across the three weeks. The final exhibition is not an afterthought — it is the deadline.